What's New?

About Bernard Werner

What's New at a Glance

Oh Starry Night!

Oh Starry Night!

N20090719_0122 b

We’ve looked to the stars
for all mankind’s salvation
...finding a mirror.

Featured Photos

Please contact me for prints:

B&W Magazine, 3 Single Image Awards: February, 2018. Special Issue #125

  • Before Castro's Procession 31

    N20161203_123242160b Single Image Award, Special Issue #125 of BLACK & WHITE magazine , February 2018

  • Endangered!

    N20070401_0143b Single Image Award, Special Issue 125 of BLACK WHITE magazine, February 2018

  • Growth

    N20140513_183343 (1)b Single Image Award, Special Issue #125 of BLACK & WHITE magazine , February 2018

Kelly Run Gallery, Thirteen Artists Holiday Exhibit Invitational, Nov 11-Dec 16, 2017

  • Found Art

    N20151007_165212740 See it at: Kelly Run Gallery 264 S. Main St. Cambridge Springs, PA 16403 814 398 9331 November 11 - December 16, 2017 Printed on Moab Slickrock Metallic Pearl, framed to 14 x 12".

  • Resting Leaf

    N20140403_164230 See it at: Kelly Run Gallery 264 S. Main St. Cambridge Springs, PA 16403 814 398 9331 November 11 - December 16, 2017 Printed on Moab Slickrock Metallic Pearl, framed to 14 x 12".

  • Nova

    N20040425_0033 See it at: Kelly Run Gallery 264 S. Main St. Cambridge Springs, PA 16403 814 398 9331 November 11 - December 16, 2017 Printed on Moab Slickrock Metallic Pearl, framed to 14 x 12".

Black & White Spider Awards, 12th show

Autumn Wallpaper

Autumn Wallpaper

N20130928_204604 (1)

Private Collection

See it at the Campbell's Stonewall Gallery juried art show: "In the Garden"
July 1 - July 30, 2017

Campbell Pottery Store
Stonewall Gallery
25579 Plank Rd
Cambridge Springs, PA 16403

printed on Hahnemühle William Turner 310gsm
framed to 67.5 x 30”

Cabin in the Woods

Cabin in the Woods


See it at Campbell's Stone Wall Gallery "Cabin Fever" Invitational
Friday, March 24 to Sunday April 23,, 2017
Framed to 19 1/2 x 27 1/2" and printed on Moab Slickrock Silver Metallic 300 paper

Bernard Werner

2nd Place Merit of Excellence | 3 Honorable Mentions | 10 nominations, International Color Awards, 11th show, March, 2018
2nd Place Merit of Excellence & 3 Honorable Mentions including 7 Nominations, Black & White Spider Awards, 12th show
3 Single Image Awards, Special Issue #125 of BLACK & WHITE magazine , February 2018


The artist’s interpretation only begins with the camera since the image in the viewfinder is never what is seen in the mind’s eye. Images have been manipulated virtually since photography was invented in 1826 to meet the artists’ aesthetic. As early as 1857, Rejlander created a masterpiece, “Two ways of Life”, which was purchased by Queen Victoria and had been made from over 30 negatives blended together during many weeks in the darkroom. This photo, as big as an easel painting (16 x 31”) had earlier shocked the art world by being displayed on par with paintings. Even “tin types” from the late 1800’s have been hand colored to add life to faces and the sparkle of gold to jewelry.

With each leap in technology, the other arts were affected as well. For example, a running horse had never been depicted correctly on canvas until 1878 when Muybridge took advantage of the new fast emulsions and an array of 24 cameras to capture the equine movement in a stop motion sequence. He answered the often posed question as to whether all 4 hooves from a galloping horse were off the ground at the same time, which they were.

Photography was also inspired by painters as evidenced by Picasso saying of Alfred Stieglitz's “The Steerage” (1907), "This photographer is working in the same spirit as I am." In fact, a number of photographers such as Edward Steichen were originally trained as painters. He is best known for his curation of the famous MoMA photography exhibit “The Family of Man” (1955-1962) seen by over 9 million people.

We have at our finger tips a very powerful set of tools from the digital camera to the computer to the inkjet printer to create our art. And the cross fertilization will continue just as painters use photo realism and photographers use pictorialism as artistic styles. Using the power of computers and the availability of new materials and processes, it is and should be, a period of intense experimentation with all artists pushing all boundaries. We should respect the past, but forge ahead with new and different accomplishments.

Faced with this myriad of options, I choose to follow an aesthetic rather than a particular style. An image should convey a story creating a level of interest on the part of the viewer. The story can be as simple as “look at the beauty around us.” But it doesn't have to be the only emotion that is raised. Some images may even contain a hidden story, presenting several levels of interest from the macro to the micro.

Nevertheless, to paraphrase Ansel Adams, ‘A photograph is not taken, it is made’.

...Welcome to my gallery. I hope you find it both interesting and entertaining. For prints please contact me directly. 

My bio:!i=319477405&k=k2PC8
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